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opening exhibition "Urban Sketchers Sassari. Pencils on the city" Urban Sketchers

Turritana52 The Association points out that you can visit lamostra "Urban Sketchers Sassari. The pencils on the city ", jointly organized algruppo Urban Sketchers Sardinia and in collaboration with the library Azuni, sinoal December 23, 2010 from 17.30 to 21.00 at our office. Saremofelici to show the city through the designs of those who, Saturday, December 18, flooded streets and plazas of the city center to tell the truth, the realtàcittadina. We thank all participants who shared the city with us, a design allavolta.

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Sassari. Pencils city

Urban Sketchers Sassari. Pencils city

Saturday, December 18, from 10:00 to 14:00, a group of designers occuperàpiazze, streets and open spaces the Old Town to tell the city of Sassari, undisegno at a time.

The initiative is to drive around the city, making sketches ditutto what you see, without a specific subject and without having to form. E'infatti can draw on any media (paper, cardboard, canvas, wood ,...) and with any tool (pencil, pen, brush, ...). The partecipazioneè open to anyone. They allowed all skill levels, daiprofessionisti those approaching the art of design for the first time.

The urban action will follow a critical route in the centrostorico Sassari, trying to describe the beauty and contradictions of the city delcuore.

Join the initiative, you can draw on any media (paper, cardboard, canvas, wood, ...) and with any tool (pencil, pen, brush, ...), simply fill out the form or stand at the headquarters dell'associazioneTurritana 52 at 10:00 am on Dec. 18.

At the end of the experience, raccoglieremotutti the drawings has an exhibition in our headquarters, on Turritani 52 which will be inaugurated on Saturday 18 at 18.00 and will remain open until 23dicembre, every day, from 18.00 to 21.00.

Perqualsiasi information or comment please write to: turritana52@gmail.com ovisitare the page.

E 'uniniziativa association of political culture and Urban Turritana52 SketchersSardinia, in collaboration with the library "Azuni in Sassari.

We look forward to Saturday 18 , alle10.00, in Turritani 52.

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"Once upon a night ... culture." Turritana52 the cultural circuit provided by the city of Sassari.

In the White Night "A look found."

Turritana52 the cultural circuit provided by the city of Sassari

At the beginning "There was Overnight ... Culture "sponsored by the city of Sassari, the association Turritana52, will reopen, only for the night of December 7, lamostra photo" A look found. "
Photographs taken in the Seventies dalpaziente French are a unique cultural product and distraordinaria importance not only locally but also nationally. Ilsuccesso made public in recent weeks (more than 1000 visitors) andthe media appeal raised by the exhibition, demonstrate that the culturarappresenti an area of \u200b\u200bfundamental importance for the country, and not worthy diincentivi indiscriminati.Parole cuts such as culture, education, school and universitàcorrono today the risk of turning into empty words incapable of designarealcunchè. Between cuts, financial, legal decrees and laws themselves, the same lacultura and traders every day, with many difficulties, contributing to its creation and its dissemination may in fact diestinguersi essa.Per along with all of these reasons, Turritani 52 cogliel 'opportunity to reiterate the need to protect the culture because perl'anima food and essential tool for life.


The exhibition will be open to the public on 7 Dicembredalle 19 to 24 hours at Association headquarters, at Sassari in ViaTurritana 52.
We wait.

"Once upon a culture."

"White Night" for culture. One night, so many cultures. "

Watch the full program.

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Support for protests on campus Sassari

MEETING ON PUBLIC UNIVERSITIES 'AND REFORM

In light of the discussion in Parliament of the Gelmini DDL sull'Universitàe and join the many protest actions staged in ateneiitaliani and in particular in Sassari, Turritani 52 laprotesta solidarity with and will try to reason on the issues in question.

It 'important to reiterate that, like many in Italy, we unaUniversità strong public and state, which is not impaired by taglifinanziari and staff but rather to be supported by new funds edincentivi, which will rest on the "voluntary reluctant "to hundreds didocenti precarious, researchers and graduate students, but that creates real prospects certedi life and who you spend in the world university. In many sappiamoche in times of crisis like this, one of the few ways to redeem èinvestire in research and intelligence in many know, we do understand sforzarcidi also the Berlusconi government. In response to Minister Tremonti, who said brutally, "culture can not eat," we answer that tantepersone with the culture we eat but also think, is emancipated and diventanopersone critical and informed decisions.

associazioneproveremo to discuss how the university and protest on the bill in a 190 iniziativaprevista in our headquarters in Via Turritani ore18 52 Wednesday, December 1 to 30 with researchers, teachers, contractors, students and citizens.

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Freedom is participation

"Freedom eParticipation" said Giorgio Gaber. If you agree and want more free esserecittadini, there is a way to do this in our city. Libera.Menteinsieme association Turritani 52 seminaried organize a path of public initiatives to deepen what is meant by participation, how to bring it within the policy change, how to involve icittadini to implement more effective policies.

We will try to get an idea edi propose to the city, to generate a real change that starts from below, from all of us. The first opportunity to see us will be Monday, November 29 at 22.00 in dalle19.00 via Florinas 4, at the headquarters of Free. In unseminario try to figure out what we can mean partecipazioneconfrontandoci, listening to experts speak of exemplary cases, starting to build an idea around this crucial issue.

We look forward to.

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continues until 14 November, the photo exhibition "A Look found"

In these two weeks has been our pleasure to receive so many visitors, to talk with you, gather your impressions and thoughts.

They came to Yesterday, more than 1,200 visitors to e have therefore decided to extend the hours until Sunday, November 14 to give way to those who had not already done so, to see the pictures and wanting to live, discuss it with us. The opening hours will remain unchanged, from 17.30 to 21.00.

Association Turritana52 thanks.

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Some interventions on the exhibition "A Look found" parallel convergences

When I lent my camera

Louis Bua

was 1973, for two years the group of students of the Faculty of Political Science student at the psychiatric hospital as Rizzeddu research course in the sociology of Gianantonio Gilli. Much had changed since the early days. After a period in which students and assistants speak primarily with nurses and department heads (the doctors were almost unattainable), had created a climate of respect and trust, which allowed to meet more freely with patients who were reassured by this change. We were thus able to set up discussions as well as departmental meetings involving patients and staff with students and discussed the problems and "motivations" of certain rules, a certain organization of certain behaviors. Gradually, it opened up opportunities and doors open at the time when some departments were male: the patients were allowed to go out into the garden and fields that surround the eight buildings of the hospital.

At one point appeared in a new inpatient ward, a man young enough, French. After a few meetings, I told her hospitalization was to Mary Magdalene, had been ill and had made a forced hospitalization. His illness was a reason he said it was a photographer and his machines, Hasselblad, he had been stolen. But they were also influenced by past experiences that he did not explicitly put in the report but which hinted in a row: his experience as a photographer in Indochina during the war.

After a while, 'I had the idea to bring my camera to take pictures and to suggest: I do not know if I wanted to test his story, and confirm that the "crazy" could be reliable, or if I was expecting a glance from the inside. There was no objection from the staff of the department.

When he was taking pictures I thought it useful to ask for his help and asked that the press could come to my house where I had the usual equipment used by amateur in the darkened bathroom. That alone in developing the negatives showed his professional capacity, and subsequently passed to the press. Here a problem: cash-strapped young researcher bought photo paper in large sheets and then cut it, but without the cutter, a knife that I put into his hands: this was also a test?

His hands under the light of the enlarger was a spectacle, masking an incredible ability with the lights and I never got pictures developed and printed so well.

What became of him? I do not know. After a few months came to take a family from France, he wrote me from 'hospital where he was again become resident, and after I had no longer any point.

Now I regret not having had the maturity and sensitivity to seek to maintain an open channel of communication.

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The parallel convergences

Sergio Excavations

After electroshock deaf that have infested the walls of the psychiatric hospital diRizzeddu other shorts emerge from those spaces almost forty years dopo.Le photos of the 'anonymous French arrive to assist the asylum Sassari cheavevamo gaps and establish new ones. The history of these fascinating left image: perhaps a photographer (I guess) ingiustamenterinchiuso which we know little or nothing, a camera, a sguardoorizzontale persons and unknown spaces.

all come to think of this exhibition is faceless, nameless, anonymous.

But paradoxically, in the photos anonymous anonymous ditoche in fires, in the eye that dissects the area and in the subject vieneinquadrato you find a new identity, a new subjectivity. Yet tuttoin these pictures is the subject: the spaces are geometric objects and modular gliospiti in line for food or drugs does not matter, the bodies killed sedated lungoil perimeter of the building, on the beds, above the tables. These objects duevolte: photographic space in which men are drawn and the furniture and nelreferente photos. Are they not mere biological elements, for istituzionemanicomiale, bodies disrupted by sedatives and serial habits? Access to the biology of the inmates is coupled with access all'intimitàdegli themselves: they have been deliberately omitted from the selection some photochemical described moments of deep shamelessness, sadistic gaze, diviolenta deprivation itself. But it is incredibly in total adherence ildocumento between photography and the photographed object that you create a new subjectivity, a rebirth of decency, a battle against ugliness and internment. Inquasi all the photos, the most dramatic, the punctum Barthes, the image are centroideale and hypnotic eyes, is the look fissosull'obbiettivo, rebellious drug-and humiliation. It 's a procession-looking car, sometimes grim, sometimes damp, often looking dicomplicità: always rebels killing chemical and morale.Attraverso the lingering glances in the car we see the sovversionedell'oggetto which claims the subject and is through mezzomeccanico / chemical photography that paradoxically comes riscattoumano.Come Belpoliti Mark writes for the photos taken from Yamaha all'albadell'atomica Nagasaki, to see pictures of the anonymous French test "piety but also the pleasure of the composition , which is the inseparable pair eticaed looks. In short, as between reason and madness, In this picture there are molteconvergenze parallel between object and subject, ethics and aesthetics, shame espudoratezza, convergence, creating a document dieccezionale historical and aesthetic importance.

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The exercises citizenship

exercises citizenship

Daniel Pulino

the scatoladelle photos Gigi Bua kept there for forty years quandoormai we got was well in the daily press and research, as in every BuonLavoro investigation, it was prepared a list of witnesses, past and present, chevolevamo interview. The idea was not born just when the investigation, teachers conalcune Technical Institute for Social Activities, avevamopensato Sassari to build a "laboratory of citizenship" according to the Foundation ilprogetto Franca and Franco Basaglia has promoted a number of years is doing in different cities. The basic idea is to work insiemestudenti averages and higher users of mental health services allarealizzazione of products by different means - written, video, web text, photos, songs etc. - address the issue of rights and health mentale.Alle shoulders is the conviction that democracy needs diconvivenza exercises as well as shared rules and procedures, hence the slogan, "Close Encounters", which is also the title events chepresentano the results of different laboratories (in Rome on November 9, siterrà the meeting in the Great Hall of Wisdom National Laboratories 2010). A Sassari there was the possibility of working with a film laboratory, we first thought of a fiction that depart from one of storiescoperte during a visit to the archive of Rizzeddu but then prevailed vogliadi know how it is things today, and what was there before. Thus, by searching for a group of curious students, the French photographer pictures of this front are out of the shadows after forty years, and oggispiegano the asylum to those who have never seen and those who have forgotten.

To learn more about citizenship workshops sponsored by the Foundation Basaglia

Potterton Performa 28i Diagram

Finding that look

Finding that look

Maria Grazia Giannichedda

In the early '70s, the psychiatric hospital in Sassari, as many Italians of asylums 'era, it was a terrible place but full of new ideas, experiences generous, hopes and prospects. After the hard strike of nurses in the winter of '72, with titles Espresso "Sassari, the Snake Pit" and the visit of Mark Levy MD, the Province of Sassari had initiated a kind of twinning with one in Trieste, Basaglia where he worked and where they had gone for periods of training groups of doctors and nurses. The innovations begin to be encouraged and despite opposition, resistance and fears that came from above, quickly changed many things and the wall that divided the city to the insane asylum from Sassari began to crack. At parties, exhibitions, concerts that were attended by many people to Rizzeddu, conferences on alternatives to mental hospital there was only one operator, the medical directors and administrators said they support change.

looking for, the students of the Laboratory citizenship, witnesses and documents of those years. When it emerged the look of the unnamed French photographer, his photos and their story has fascinated everyone, but we have also recently delivered two tasks do not. One, perhaps the easiest, is to find the name of the photographer, his history and himself. The other is to find the look that one section of society, but far from certain minority irrelevant, sent to the asylum for many years and its symptoms, fueled by players who wanted to change. Today in danger of no longer being able to recognize those symptoms, or perhaps look elsewhere for convenience or desperation.

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"A look found" - Photo Exhibition

crazy stuff: it would appear the decision to entrust a camera to a patient confined in a psychiatric hospital in the '70s. One idea that could only come to those who, at the time, came into contact with the theories and the person of Mark Levy MD and, consequently, with the need to positively change the lives of thousands of inmates across Italy. So it was that Luigi and Maria Grazia Giannichedda Bua, researchers at the Faculty of Political Science of Sassari, decided to give a young Frenchman who at the time he was admitted to the facility Rizzeddu (and of which we then lost all traces) , a camera. The idea was not random: the interior, in fact, said the photographer. Here, then, the best way to try to restore the identity: follow his inclination by giving it a tool that can capture from within moments of everyday life of the psychiatric hospital, thereby demonstrating outside. But, first of all, returning to the "person" the "gaze." From these premises, and the cooperation between the association to promote political and cultural Turritani 52 and the Foundation Franco and Franca Basaglia comes the photo exhibition "A Look found, "curated by the same Bua and Giannichedda with Daniel and Sergio Pulino Scavo. Will be outlined here, for the first time, seventeen shots of the anonymous French ex-patient (chosen from the negatives stored carefully for almost forty years, from Louis Bua), through which the public can participate in that reality otherwise hidden For decades, behind impenetrable walls. At the inauguration, Luigi and Maria Grazia Bua Giannichedda tell the genesis and rationale behind the progetto.L 'inauguration is scheduled for Wednesday, October 27, 2010, at 18, in place of Turritani 52, Sassari Via Turritani 52. The exhibition will be open to the public every day until November 10, from 17:30 to 21.

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Concert for DE GRINPIPOL Turritana52 (No, we are not earthquake)

We invite everyone to the feast of fun, funding and support of the association Turritana52 by the valuable rockers Sassari DE GRINPIPOL . You will find us on 8 October, from 21.30, at the Bar Azuni, Viale Mancini No 13. Drink many!

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A new home, new faces , new ideas

E system already, we just had to put together, we'll do it Thursday, October 7 at 18:30.

existed but had neither time nor home. We did not like the political climate, let alone we did not like the reactions, or pale or angry, who came from the shameful policy of our party of china Berlusconi's new right. Center-left parties, which among other things, too often confused with bipolar bipartisanship and that, in the name of weight, you try sometimes, when you need it, when you vote.

always wanted to participate, not one-off, hear and be heard.

We then started to give us a face, Face. We started talking and we saw that we had something to say, about us, about our city, Sassari.

We said that before indignant to be ashamed, lowering his eyes to the vulgarity of politics. Lower your eyes, and then react in practice. Without action "against" but with positive initiatives, proposals: the antagonism raises the bile who does and who receives it and is often useless.

We do these things together, discuss and possibly argue is better than doing politics in front of the computer virtual or think of it only in the voting booth. The time spent together is not leisure, and leisure.

We said we know many things and we want to make available to everyone, but we want to know more and better.

We said yes, we're young but we want to take responsibility, in addition to you want to say what we think about things that directly or indirectly, belong to us or affect us.

We said that "the left" is not a dirty word and that would be now, should be rewritten the vocabulary of politics.

We met, we talked so much, we got a house to live together.

A house, faces and ideas: Thursday, October 7 present all of this.

Where? As a Turritani 52, of course.